Gopro hero 4 silver edition 1920 x 1440 48fps 4:3 format video test #1 45.2 Mb/s HWBD1 CHDHY-401


Gopro hero 4 silver edition 1920 x 1440 48fps 4:3 format video test #1 45.2 Mb/s HWBD1 CHDHY-401



Gopro hero 4 silver edition HWBD1 CHDHY-401
 48fps 1920 x 1440 4:3 format video test #1 45.2 Mb/s
οδός Ηπείρου 59-55 Λάρισα 

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Complete name : GOPRO\HERO4 Silver\Video\GOPR0548.MP4 
Format : MPEG-4 
Format profile : Base Media / Version 1 
Codec ID : mp41 (mp41) 
File size : 111 MiB 
Duration : 20 s 587 ms 
Overall bit rate mode : Variable 
Overall bit rate : 45.2 Mb/s 
AMBA : x 

Video 
ID : 1 
Format : AVC 
Format/Info : Advanced Video Codec 
Format profile : High@L5 
Format settings : CABAC / 1 Ref Frames 
Format settings, CABAC : Yes 
Format settings, RefFrames : 1 frame 
Format settings, GOP : M=1, N=24 
Codec ID : avc1 
Codec ID/Info : Advanced Video Coding 
Duration : 20 s 583 ms 
Bit rate mode : Variable 
Bit rate : 45.0 Mb/s 
Width : 1 920 pixels 
Height : 1 440 pixels 
Display aspect ratio : 4:3 
Frame rate mode : Constant 
Frame rate : 47.952 (48000/1001) FPS 
Color space : YUV 
Chroma subsampling : 4:2:0 
Bit depth : 8 bits 
Scan type : Progressive 
Bits/(Pixel*Frame) : 0.339 
Stream size : 111 MiB (100%) 
Title : GoPro AVC 
Language : English 
Color range : Full 
Color primaries : BT.709 
Transfer characteristics : BT.709 
Matrix coefficients : BT.709 
Codec configuration box : avcC 

Audio 
ID : 2 
Format : AAC LC 
Format/Info : Advanced Audio Codec Low Complexity 
Codec ID : mp4a-40-2 
Duration : 20 s 587 ms 
Bit rate mode : Constant 
Bit rate : 128 kb/s 
Channel(s) : 2 channels 
Channel layout : L R 
Sampling rate : 48.0 kHz 
Frame rate : 46.875 FPS (1024 SPF) 
Compression mode : Lossy 
Stream size : 322 KiB (0%) 
Title : GoPro AAC 
Language : English 

Other 
Type : meta 
mdhd_Duration : 20583 
Bit rate mode : VBR





Gopro hero 4 silver edition,CHDHY-401,48fps 1920 x 1440,4:3 format,video test #1,
45.2 Mb/s,Gopro hero 4 silver edition CHDHY-401,48fps 1920 x 1440 4:3 format video test,
οδός Ηπείρου Λάρισα,οδός Ηπείρου 59-55 Λάρισα,HWBD1 CHDHY-401



Visiting Acropolis part 10 North West view of Athens from Filopappou Hill , my first time


Visiting Acropolis part 10 North West view of Athens from Filopappou Hill , my first time



Visiting Acropolis part 10 North view of Athens Filopappou Hill ,  my first time  at Filopappou 
2017 after a trip to Naxos island

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Philopappou or Filopappou (Greek: Φιλοπάππου pronounced [fi.loˈpa.pu])
 is a small neighborhood of Athens, Greece south of the Philopappos Monument,
 from which it takes its name.

Transport
Petralona station on Line 1 on Syngrou Fix station on Line 3 are
 the nearest stations of the Athens Metro.
 The area is also served by a trolley bus stop (line 15) of the same name as the area





Filopappou,North West view of Athens,Filopappou Hill,Acropolis,Visiting Acropolis,Parthenon,Acropolis part 10



Acropolis part 9 my first time Macron visit Athens


Acropolis part 9 my first time Macron visit Athens



Acropolis part 9 my first time
2017 after a trip to Naxos island

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On the first day of his visit the French President will meet
 the President of the Hellenic Republic Prokopis Pavlopoulos 
and afterwards the Greek Prime Minister Alexis Tsipras.
 At 7pm Macron and Tsipras will go to ancient site Pnyx,
 the Athens hill that is considered to be the birthplace of democracy,
 where Macron is expected to urge fellow Europeans to deal 
with the democratic crisis he believes the continent faces, 
according to his aides. As was the case with the ex President
 of the USA Barrack Obama - who chose to address the world 
with the farewell speech of his career from the Acropolis - the symbolism 
of ancient monuments of the country were democracy was born is heavy.





Acropolis,Visiting Acropolis,Acropolis part 9,Macron visit Acropolis,Macron visit Athens



Visiting Acropolis part 8 Propylaea my first time


Visiting Acropolis part 8 Propylaea my first time




Acropolis part 8 my first time
Propylaea 
2017 after a trip to Naxos island

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The Propylaea was the monumental gateway to the Acropolis of Athens,
 and was one of several public works commissioned by the Athenian leader Pericles 
in order to rebuild the Acropolis a generation after the conclusion of the Persian Wars.
 Pericles appointed his friend Phidias as the supervisor
 and lead architect of this massive project, which Pericles allegedly financed 
with funds appropriated from the treasury of the Delian League.
 According to Plutarch, the Propylaea was designed by the architect Mnesikles,
 about whom nothing else is known.
 Construction began in 437 BC and was terminated in 432,
 when the building was still unfinished.

The Propylaea was constructed of white Pentelic marble and gray Eleusinian marble or limestone,
 which was used only for accents. Structural iron was also used, though William Bell Dinsmoor
 analyzed the structure and concluded that the iron weakened the building. 
The structure consists of a central building with two adjoining wings
 on the west (outer) side, one to the north and one to the south.

The core is the central building, which presents a standard six-columned 
Doric façade both on the west to those entering the Acropolis 
and on the east to those departing. The columns echo the proportions 
(not the size) of the columns of the Parthenon. 
There is no surviving evidence for sculpture in the pediments.

The central building contains the gate wall, about two-thirds of the way through it.
 There are five gates in the wall, one for the central passageway,
 which was not paved and lay along the natural level of the ground, 
and two on either side at the level of the building's eastern porch, 
five steps up from the level of the western portico. 
The central passageway was the culmination of the Sacred Way, 
which led to the Acropolis from Eleusis.

Entrance into the Acropolis was controlled by the Propylaea.
 Though it was not built as a fortified structure, 
it was important that people not ritually clean be denied access to the sanctuary.
 In addition, runaway slaves and other miscreants could not be permitted
 into the sanctuary where they could claim the protection of the gods.
 The state treasury was also kept on the Acropolis, making its security important.

The gate wall and the eastern (inner) portion of the building sit
 at a level five steps above the western portion, and the roof of the central building
 rose on the same line. The ceiling in the eastern part of the central building 
was famous in antiquity, having been called by Pausanias (about 600 years
 after the building was finished) "...down to the present day unrivaled."
 It consisted of marble blocks carved in the shape of ceiling coffers and painted blue with gold stars.




Acropolis,Visiting Acropolis,Acropolis part 8,Propylaea



Visiting Acropolis part 7 North view of Athens, Lycabettus Hill ,Strefi Hill ,my first time


Visiting Acropolis part 7 North view of Athens, Lycabettus Hill ,Strefi Hill ,my first time



Visiting Acropolis part 7 North view of Athens Lycabettus Hill ,Strefi Hill  my first time
Acropolis part 6 my first time at Parthenon 
2017 after a trip to Naxos island

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Mount Lycabettus (/ˌlaɪkəˈbɛtəs/), also known as Lycabettos,
 Lykabettos or Lykavittos (Greek: Λυκαβηττός, pronounced [likaviˈtos]),
 is a Cretaceous limestone hill in Athens, Greece at 300 meters (908 feet) above sea level.
 Pine trees cover its base, and at its two peaks are the 19th century 
Chapel of St. George, a theatre, and a restaurant.

The name also refers to the residential neighbourhood 
immediately below the east of the hill.

The hill is a tourist destination and can be ascended by the Lycabettus Funicular,
 a funicular railway which climbs the hill from a lower terminus 
at Kolonaki (The railway station can be found at Aristippou street).
 Lycabettus appears in various legends. Popular stories suggest it was once
 the refuge of wolves, (lycos in Greek), 
which is possibly the origin of its name (means "the one [the hill] that is walked by wolves").
 Another etymology suggests a Pelasgian, pre-Mycenean, origin (Lucabetu=mastoid hill)[1].

Mythologically, Lycabettus is credited to Athena, who created it 
when she dropped a limestone mountain she had been carrying from the Pallene peninsula
 for the construction of the Acropolis after the box holding Erichthonius was opened.

Strefi Hill (Greek: Λόφος Στρέφη) is a limestone hill 
and urban natural park in the Greek capital of Athens.
 It is located on the border of Neapoli neighborhood and Exarcheia,
 northwest of mount Lykavittos[1]. Its earliest name was Aghesmos (Greek: Αγχεσμός).
 It is approximately 150 meters above sea level
In the 19th and early 20th century, it belonged to the Strefis family,
 which operated a stone quarry there until the 1920s.
 After the quarry was closed and trees were planted, the area was opened to the public in 1938,
 making it a popular destination for outings. In 1963, 
the Strefis donated the hill to the city of Athens. Strefi Hill
 offers lush vegetation, winding paths, and terraces with views of the Acropolis,
 the city, and Lykavittos. On the hill there is a small open-air theater,
 a basketball court, a playground, and a cafeteria.




North view of Athens,Lycabettus Hill,Strefi Hill,Acropolis,Visiting Acropolis,Acropolis part 7,Parthenon,Theatre of Dionysus




Visiting Acropolis part 6 South view of Athens, Acropolis Museum, Theatre of Dionysus, my first time


Visiting Acropolis part 6 South view of Athens, Acropolis Museum, Theatre of Dionysus, my first time



Visiting Acropolis part 6 South view of Athens Acropolis Museum Theatre of Dionysus  my first time
Acropolis part 6 my first time at Parthenon 
2017 after a trip to Naxos island

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The Theatre of Dionysus (or Theatre of Dionysos, gr: Θέατρο του Διονύσου)
 is an ancient theatre in Athens on the south slope of the Akropolis hill,
 built as part of the sanctuary of Dionysos Eleuthereus (Dionysus the Liberator).
 The first orchestra terrace was constructed on the site around the mid- to late-sixth century BC, where it hosted the City Dionysia.
 The theatre reached its fullest extent in the fourth century BC
 under the epistates of Lycurgus when it would have had a capacity of up to 17,000,
 and was in continuous use down to the Roman period. 
The theatre then fell into decay in the Byzantine era and was not identified,
 excavated[and restored to its current condition until the nineteenth century.

The Acropolis Museum (Greek: Μουσείο Ακρόπολης, Mouseio Akropolis)
 is an archaeological museum focused on the findings of the archaeological site 
of the Acropolis of Athens. The museum was built to house every artifact found
 on the rock and on the surrounding slopes, from the Greek Bronze Age to Roman
 and Byzantine Greece. It also lies over the ruins of a part of Roman and early Byzantine Athens.

The museum was founded in 2003, while the Organization of the Museum was established in 2008.
 It opened to the public on 20 June 2009.[1] More than 4,250 objects
 are exhibited over an area of 14,000 square metres. The Organization for the Construction
 of the new museum is chaired by Aristotle University of Thessaloniki
 Professor Emeritus of Archaeology, Dimitrios Pandermalis









Visiting Acropolis part 5 Parthenon my first time


Visiting Acropolis part 5 Parthenon my first time



Acropolis part 5 my first time at Parthenon 
2017 after a trip to Naxos island

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After the Athenians defeated the Persians at Marathon, in 490 BC,
 they began building a very large temple, the so-called Pre-Parthenon.
 This temple was still unfinished when the Persians invaded Attica in 480 BC,
 pillaged the Acropolis and set fire to its monuments.
 The Athenians buried the surviving sculptures and votive offerings inside natural cavities
 of the sacred rock, thus forming artificial terraces, and fortified the Acropolis with two new walls,
 the wall of Themistokles along the northern side and that of Kimon on the south.
 Several architectural elements of the ruined temples were 
incorporated in the northern wall and are still visible today.

In the mid-fifth century BC, when the Acropolis became the seat of the Athenian League
 and Athens was the greatest cultural centre of its time, 
Perikles initiated an ambitious building project which 
lasted the entire second half of the fifth century BC. 
Athenians and foreigners alike worked on this project, receiving a salary of one drachma a day. 
The most important buildings visible on the Acropolis today - that is, the Parthenon,
 the Propylaia, the Erechtheion and the Τemple of Athena Nike, 
were erected during this period under the supervision of the greatest architects,
 sculptors and artists of their time. 

The temples on the north side of the Acropolis housed primarily
 the earlier Athenian cults and those of the Olympian gods, 
while the southern part of the Acropolis was dedicated to the cult of Athena in her many qualities: 
as Polias (patron of the city), Parthenos, Pallas,
 Promachos (goddess of war), Ergane (goddess of manual labour) and Nike (Victory).






Acropolis,Visiting Acropolis,Acropolis part 3,Parthenon



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